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Arts & Entertainment

Haven Presents TITUS ANDRONICUS

February 13 – March 5, 2020 at The Den Theatre

Colin Jones in a publicity image for Haven’s production of TITUS ANDRONICUS.
Colin Jones in a publicity image for Haven’s production of TITUS ANDRONICUS. (Photo by Kayshla Morales.)

Haven is pleased to continue its 2019-20 season with William Shakespeare’s revenge-tragedy Titus Andronicus, promising a thrilling, bloody marathon – centering on the voices of marginalized people too often excluded from classical theater performance. Directed by Artistic Director Ian Damont Martin, Titus Andronicus will play February 13 – March 5, 2020 at The Den Theatre's Heath Main Stage, 1331 N. Milwaukee Ave. in Chicago. Tickets are currently available at havenchi.org.

The cast includes Trevor Bates (Demetrius), Brian Bradford (Mutius/Young Lucius), Tarina Bradshaw (Lavinia), Jemima Charles (Ensemble), LaKecia Harris (Bassianus), Gregory D. Hicks (Lucius), Benjamin T. Jenkins(Quintus), Christopher Wayland Jones (Saturninus), Colin Jones (Titus), Morgan Lavenstein (Chiron), James Lewis (Martius), Gabrielle Lott-Rogers (Marcus), Andre McGraw (Clown), Danyelle Monson (Nurse), Andrew Neftalí Perez (Aaron), Michaela Petro (Tamora), Shane Richlen (Alarbus) and Christopher Vizurraga (Ensemble).

In a society that seems increasingly plagued by senseless violence, Shakespeare’s bloodiest play Titus Andronicus feels increasingly germane. When Titus returns home from a 10-year war against the Goths with their Queen as his prisoner, a bloody cycle of violence ensues across familial and political lines. Is revenge ever justifiable? What if there is no justice? These questions remain surprisingly relevant some 400 years later. Titus Andronicus explores the impact of vengeance across the intersections of family, power and race.

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The production team includes Sydney Lynne Thomas (scenic design), Lily Walls (costume design), Adrienne Johnson (lighting design), Sarah Espinoza (sound design), Emily Boyd (props design), R&D Choreography (violence design), Micah Figueroa (intimacy design), Leon Evans (movement design), Ada Alozie (assistant director), Angela Salinas (production manager), Nicholas Reinhart (associate production manager), Blake Cordell (master electrician), Angela Mix (wardrobe lead), Emily Marrazzo (stage manager) and Angela Matera(assistant stage manager).

PRODUCTION DETAILS:

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Dates: Previews: Thursday, February 13 at 7:30 pm, Friday, February 14 at 7:30 pm, Saturday, February 15 at 7:30 pm and Sunday, February 16 at 3 pm

Press performance: Tuesday, February 18 at 7:30 pm

Regular run: Thursday, February 20 – Thursday, March 5, 2020

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. Please note: there will be an added performance on Saturday, March 14 at 3 pm; there will not be a performance on Saturday, March 14 at 7:30 pm.

Tickets: Previews: pay-what-you-can. Regular run $35. Ticket are currently available at havenchi.org.

Industry Night: Monday, March 2 at 8 pm

About the Director

Ian Damont Martin (Director) is a theatre/filmmaker based in Chicago. He is the Artistic Director of Haven and the Program Manager of Enrich Chicago. Recent directing credits include The Ridiculous Darkness at Sideshow Theatre Company, Twelfth Night at Midsommer Flight and The Toilet at Haven, as part of the Directors Haven 3. Ian has also worked with Goodman Theatre, Middle Coast Film Festival, the Gift Theatre, Jackalope Theatre, the DuSable Museum, the National Society of Arts and Letters, Indiana University, Ivy Tech Community College, Bloomington Playwrights Project, Youth Theatre Journal and the Boys & Girls Club of Greater Cincinnati. He received his BA in theatre and drama from Indiana University and his diploma in drama from the School for Creative and Performing Arts in Cincinnati, OH. Ian gives love and thanks to the women of color who made him the man he is today.

About Haven:

NEXT GENERATION. NEW CANON. SOCIAL PROFIT.

We exist to be a Haven for The Future. We achieve this through championing the next generation of playwrights, directors and actors by producing and promoting plays and performances that are staking their claim as the immediate future of this art form, and by investing in those at the very beginning of their professional journeys. Through this inspiration, we seek to ignite in each audience member a hope for the Future - the Future of theatre and performance, the Future of each other, the Future of our community.

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