Calder from the Collection at the Neuberger Museum of Art

American Modernist Alexander Calder ‘s kinetic mobiles are brilliantly engineered, three-dimensional works that rely on careful weighting to achieve balance, movement, and suspension. They revolutionized the concept of sculpture. At the Neuberger Museum of Art, Purchase College, SUNY, his mobile The Red Ear is suspended over the staircase to the second-floor galleries, and Snake on Arch, a bronze sculpture, is installed in the museum’s modern and contemporary galleries. Yet, it was in his lesser-known early drawings, prints, and paintings where Calder first explored color, space, and movement. Fifteen of those works will be on view at the Neuberger Museum from January 29-May 17, 2020 in Calder from the Collection, an exhibition of drawings and paintings by Calder that are housed in the museum’s extraordinary collection of 20th century American art.

“We are thrilled to share a selection of those works with the public in Calder from the Collection,” says Tracy Fitzpatrick, Director of the Neuberger Museum of Art, noting that in 1945, Roy R. Neuberger first purchased an untitled gouache painting on paper by Calder, that the artist had created the previous year. It was among the first works by Calder to enter the permanent collection of the Neuberger Museum in the early 1970s. Since that time the Museum’s collection of works by Calder has grown significantly, with works representing all of the various media in which Calder worked, including sculpture, prints, and paintings. “He is one of our favorite modernists whose work has inspired generations of artists and museumgoers,” Fitzpatrick adds.

Included in the exhibition are reproductions of six prints from The Circus portfolio that are based on drawings Calder created of the Ringling Brothers and Barnum & Bailey Circus in 1931-32. At the time, he worked as an illustrator for the National Police Gazette, a sports and entertainment paper. He was captivated by the circus and saw it as a noisy extravaganza of exaggerated movements and boisterous physical humor. His drawings showed the antics of suspended tightrope walkers, rebellious clowns, ferocious animals, lively acrobats, and entertaining side-show artists.

Calder’s drawings did not contain color or shading; did not use chiaroscuro to build volume. However, his mastery of balance and line ensured that each drawing stood on its own as a successful complete work of art. These drawings enabled him to experiment and put movement into figures that could fly through the air with the greatest of ease. “I [was examining] color, space, and composition,” he once wrote, “and the relationship of bodies in space.” His explorations continued in other media as well. Although the forms in the hundreds of paintings he later created were abstracted, the bright colors and playful composition were a far cry from most of the abstract art beginning to be produced by artists in the United States in the 1930s. Calder employed similar techniques in many of the lithographs he made. Included in Calder from the Collection are several lithographs that employ strong colors and geometric forms – triangles, swirling forms, apple forms, spirals, and disks

Mainly, one sees the foundation he built for his later mobiles and stabiles. “Calder was the one who made art move, believing that an object had to have energy,” Helaine Posner, Chief Curator, explains. “He was taken with the idea of the abstraction of space, and believed that two-dimensional art was too static to reflect our world of movement. When he shifted to kinetic art, his view that ‘an object has to have energy’ was fulfilled.”

The popularity and the appeal of Calder’s graphic imagery cannot be overestimated. That reputation has spurred a number of projects about which he knew but with which he either participated minimally or not at all. These works fall into a category the Calder Foundation refers to as misattributed. Examples are owned by many museums, including the Neuberger Museum of Art. In 1964 the magazine Art in America published offset lithographs of drawings that Calder created of circus imagery in 1931 and 1932. These works are widely known and exhibited, yet, strictly speaking, they were executed neither by the artist’s hand nor under his supervision. “We show them here in order to explain the ways in which ideas around authenticity can be complicated and in fact change with the passage of time,” Dr. Fitzpatrick says.

About the Artist

Throughout his career, Alexander Calder (1898–1976) retained the imaginative perspective he enjoyed as a child, when he began sculpting animal forms with the encouragement of his artist parents. He did not, however, set out to become an artist. Rather, he trained as an engineer, receiving a degree from the Stevens Institute of Technology in 1919. In 1923, Calder moved to New York, where he pursued a career as an artist, studying at the Art Students League with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. In 1926 he moved to Paris, where he studied at the Académie de la Grande Chaumière, and became well-known among the avant-garde for his beloved Cirque Calder, an improvisational ensemble performance of small animal and structural forms made out of everyday materials, now in the collection of the Whitney Museum of American Art. Calder returned to the United States in 1933 with his wife, Louisa James, and moved to Roxbury, Connecticut, where they raised his family and he pursued his career.

Calder from the Collection is organized by the Neuberger Museum of Art, Purchase College, SUNY, and is curated by Helaine Posner, Chief Curator. Generous support for this project is provided by the Friends of the Neuberger.

Programs Planned in Conjunction with the Exhibition:

Art Sandwiched-In: Calder from the Collection

Friday, February 7, 12:30-2:00 pm

Free with Museum admission; free for Members at all levels

Join us for a guided tour of Calder from the Collection with Jacqueline Shilkoff, Curator of New Media. Art Sandwiched-In is a brown bag lunch-and-learn session that happens the first Friday of every month. Bring your own lunch and socialize with other art lovers from 12:30-1:00 pm in the Museum Snack Bar. The, join a curator for a tour of a current exhibition from 1:00–2:00 pm.

Spring Exhibition Opening Reception

Wednesday, February 12, 4:30-7 pm (snow date: February 19)

Free with Museum admission. No registration required.

Enjoy an evening with friends from campus and the surrounding community while browsing the galleries filled with incredible works from each of the Spring 2020 exhibitions. Listen to live music; nibble on light refreshments; engage in conversation with artists, curators, and follow art lovers.

----

The Neuberger Museum of Art presents critically acclaimed exhibitions, tours, lectures, and interactive programs for patrons of all ages, making the Neuberger a center of teaching and learning for all stages of life.

Address

The Museum is located at 735 Anderson Hill Road in Purchase, New York.

914.251.6100

nma@purchase.edu

www.neuberger.org

Facebook: neubergermuseumofart

Twitter and Instagram: @neubergermuseum

Hours

Wednesday* to Sunday: noon-5 pm

Open late to 8 pm on Wednesdays during the semester

Closed Monday, Tuesday and major holidays

Admission

$5.00 General Public (Ages 12 to Adult)

$3.00 Seniors 62+

FREE Children under 12, Museum members, and Purchase College students, faculty, and staff

FREE for all the first Saturdays of every month

The NEU Museum Store

Open during Museum hours, the NEU Museum Store features a broad selection of art books, art cards, handcrafted jewelry, children's items, and one-of-a-kind limited edition gifts.

Tours

Self-guided or docent-led school and adult group tours are available by appointment.

Contact the Museum’s Education Department at nma.education@purchase.edu for more information.

DIRECTIONS

By Car

Driving Directions

• From the North or South Take the Hutchinson River Parkway to Exit 28. Turn left onto Lincoln Avenue to Anderson Hill Road. Turn right onto Anderson Hill Road. Turn left at first traffic light into Purchase College campus.
• From Northern Westchester on I-684 Take Exit 2 (Route 120), drive over the bridge and turn right on Route 120 south (Purchase Street). Make the first left onto to Anderson Hill Road. Turn left onto Anderson Hill to second traffic light. Turn left at traffic light into Purchase College campus.
• From the East Take Route 287 (Cross Westchester Expressway) to Exit 8E. Take second left over Expressway onto Anderson Hill Road. Follow signs to SUNY Purchase. Turn right at traffic light into Purchase College campus.

Parking

Neuberger Museum visitors' parking is in Purchase College Parking Lot W1. There are parking meters.

Special Needs Parking

Please click http://bit.ly/2jlZ1Z0 to view a map from the campus entrance to the drop-off point for visitors with special needs. Please call ahead for wheelchair accommodations.

By Bus

The Bee-Line Bus Route #12 serves the Purchase College campus. Please call 914-813-7777 or visit http://beelinebus.westchestergov.com for schedule and fare information.

By Train

Use the Harlem Line of the Metro-North Railroad to arrive in White Plains. Taxicabs are readily available for hire to Purchase College. Please call (800) METRO-INFO or visit http://www.mta.nyc.ny.us/mnr